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Unprofaned twilight

by AGLAIA

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about

"I look around and I feel the music of the dust, the pureness of the silent cleared from nothing.Even the darkness gives birth to sound. There are transparencies between sonorous textures.The air is the guilty."

“Unprofaned Twilight”is the forth album by Aglaia. It is born from the previous works but, in comparison with them, it develops a wider breath directly from the background’s sounds. The composition is softer and more refined. Again the sonorous world that here is explored is that one of the enchantment, of the mild soundfading. An unprofaned and inviolate twilight, where the different vibrations are balanced, without any sort of tensions. Time rolls by and space too. The sound is a natural matter and gives birth to an intense crepuscolar light. Listening to this music is like to see thousands of fine luminous rays, filtered through half-closed windows. Adance of dust in a never ending movement that catches the light around.With aglaia’s sound we are in an electroacustic microcosm full ofvibrating signs.
The first of the two long compositions suggests a natural and quiet landscape. The sound’s mood isa sort of perpetual tinkling, wrapped up a voice coming from the space, that observes from afar. An armonic accordance between different reality.
The second, eventhough more intimate, is equally shining. Everything happens during a night where insects, spring-waters and moonlight match themselves together. As warming midnight with underworld lifes.

credits

released March 17, 2008

Gino Fioravanti: Textures from Synth
Gianluigi Toso: treatments and programming

Recorded, mixed, mastered between 2007-2008

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about

ALIO DIE Italy

Since the late 80s, Stefano Musso has recorded deep, evocative experimental ambient & electro-acoustic soundscapes under the name Alio Die.
His music is a shadowy, cavernous, intensely detailed fusion of acoustical elements, step-and-repeat sample treatments, sparse, echoing percussion, and deep, atmospheric sound design, textural passages..by the music's vague, entropic formlessness.
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