Quantum Consciousness

by FIVE THOUSAND SPIRITS

supported by
Biff Johnson and Shelley Andrews
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Biff Johnson and Shelley Andrews It is very hard to comment on something so magical and way beyond mere words ! Take the walk down the path to incredible adventures in sonic mastery. As much a visit to a ritual as a journey to outer realms or inner for that matter. Fantastic creation and wonderful immersion production. Favorite track: Reflections On Black.
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1.
Re-Entry 11:21
2.
Green Desire 14:18
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4.
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about

An unbroken electronic journey of great intensity and a flood- like vitality, always at the threshold of mystery's whirlpool ..°..
After seven years of silence they are heard again. Raffaele Serra and Alio Die's Quantum Consciousness is an mysterious electronic journey (5 tracks without interruption) that, though still ambient music, comes close to '70s-era electronic cosmic music. An unbroken journey of great intensity characterized with an electronic refined touch and a flood- like vitality, always at the threshold of mystery's whirlpool.
Powerful electronic mantras that in these lands have already given some kind of earthly utterance. Great artwork in gold print on dark green.

credits

released December 15, 2016

Quantum Consciuosness (2006)
Composed and performed by
Raffaele Serra and Stefano Musso (©BMI) between 2004 and 2005,
at Mekon Studio and at Temple Studio, Milan.

Mastered on Pro Tools at Temple Studio, Milan December 2005.

Artwork by Hic Sunt Leones.

Raffaele Serra: Analog and digital synthesizers, tapes and electronics.

Alio Die: drones and loops, editing, zither, field recordings, valvular radio.

Thanks to Saffron Wood for the flute’s sample on Green Desire.

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ALIO DIE Italy

Since the late 80s, Stefano Musso has recorded deep, evocative experimental ambient & electro-acoustic soundscapes under the name Alio Die.
His music is a shadowy, cavernous, intensely detailed fusion of acoustical elements, step-and-repeat sample treatments, sparse, echoing percussion, and deep, atmospheric sound design, textural passages..by the music's vague, entropic formlessness.
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