La Solitudine Del Sole

by ENTEN HITTI

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about

Recorded in three days and three nights into the woods around Bergamo-Italy, "La Solitudine del Sole" is the fruit of a long research on early sounds and primordial instruments.
Sonorous stones, singing cristal bowls, duduk, balafon, voices... are combined in a subtle variety of expressions and display an unique kind of spiritual and archaic feelings.
A sonorous ritual, a travel of transformation between what is above and what is below, between heavy and light, earth and sky..
An experience for solitary listeners, that close to a stone, are pierced from a sun's ray.

The revelatory expression that bond semplicity and knowledge, seem to be dispensed in a very natural way into sounds here, as the appearance of a sincere connection,
then after 15 years from their first album "Giant Clowns Of The Solar World" we are proud to spread out this new rare pearl by Enten Hitti.
(Label press)

credits

released November 9, 2011

Music composed by Pierangelo Pandiscia and Gino Ape.

Recorded at “La casa della roccia” – Boschi di Bergamo
on mobile studio Roland ws. in 2010.

Mastered at Studio Claudio Gabbiani - Milan in February 2011

Pierangelo Pandiscia: voice, crystal bowls, Tibetan bells, shamanic drums, steel drums, trumpet shells, ocarinas, bells drives away spirits, balafon.

Gino Ape: duduk, oboe, ethnic flutes, vocals, percussion.
with: Gianpaolo Verga: Violin
"Chinoxx"

Adriana Pulejo: voice in "Chinoxx"
Simona Vitali: voice
“Lo sguardo dei girasoli” and “Polvere rossa”

Choir of overtone singing in “Fuoco tenue” and “Polvere Rossa”: Alberto Guccione, Lorenzo Pierobon, Davide Ferrari, Simona Barbera, Pierangelo Pandiscia, Adriana Pulejo. Anna Rispoli.

Cover and back photo by Veronica Marioli
Artwork by Hic Sunt Leones

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ALIO DIE Italy

Since the late 80s, Stefano Musso has recorded deep, evocative experimental ambient & electro-acoustic soundscapes under the name Alio Die.
His music is a shadowy, cavernous, intensely detailed fusion of acoustical elements, step-and-repeat sample treatments, sparse, echoing percussion, and deep, atmospheric sound design, textural passages..by the music's vague, entropic formlessness.
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