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Horas Tibi Serenas


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Luki13 thumbnail
Luki13 The most "romantic" part of the Castle Sonorizations Series, in my opinion. There is an undescribable beauty in melancholy...
oliver92 thumbnail
oliver92 Wonderful sacral music with organ, electronic sounds (but subtile) and some choir (electronically enhanced - but (again: subtile) On Nr. 2: Rain; gives me the feeling the song is in Nature This Album is part of a Trilogy - together with "Aura Seminalis" and "Tempus Rei".
Whispering thumbnail
Whispering Impressive creation, captivating atmosphere that makes us travel in the past.
Like distant echoes, found in the strata of time, it is a soothing journey, a great serenity emanates from this album. Superb universe and sound experience, great finesse of sound mixing. Always sounds a bit enigmatic, the sea, the wind in the trees? Each interprets his listening according to his mood and his life.
Anu Kirk
Anu Kirk thumbnail
Anu Kirk A masterful, beautiful ambient record. One of my favorites of the last 10 years. A record that has space and depth. I could listen to it forever.
sean washburn
sean washburn thumbnail
sean washburn There is cause to rejoice. Alio Die has posted most of his gems here at BC. This is one of my favorites.

A master of dreamy, timeless and beautiful celebrations of sound, I consider him one of the two kings of ambient music. He and Robert Rich are clearly the genre's brightest stars.
Brian Bourassa
Brian Bourassa thumbnail
Brian Bourassa As the liner notes state, HORAS TIBI SERENAS is the third chapter of Castles Sonorisation's Series, after Aura Seminalis and Tempus Rei.

All three albums in this series are what might be considered the
"epitome" of Alio Die. They take you to such cam places and reminisce of Italy in the Middle Ages, and are the spirit of an ancient time brought to the moment of now.
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    Comes in a lovely 6 sides digipack

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    edition of 500 
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    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Existentialism, Light sounds, Immanence, Eight Parts of Reality, Nkisi, Coalescent Sketches, Slow movements, Brightness of the days gone by, and 133 more. , and , .

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Ultima Latet 33:31


Celebrated in 2008-2009 at Temple Studio, Milan.

HORAS TIBI SERENAS is the third chapter of Castles Sonorisation's Series, after Aura Seminalis and Tempus Rei.
It originally come in a 6 sides Digipack in a limited edition of 500 copies.


released February 11, 2015

Alio Die: drones and loops, field recordings

Artwork by Hic Sunt Leones

"Horas Tibi Serenas" is the third chapter of the series "Castles sonorisation", bearing the signature of Alio Die, an oratory of digits collected and highly evocative, upon reflection addressed to the sense of the sacred that saturates every aspect of earthly things.
The instrumental texture is the result of a suffused handwriting,entrusted with the use of drones, loops and sounds found, which recreates the atmosphere of the liturgical poem in three long suites rarefied and minimal, just by lapping noises echo in the distance andattendance just transmusicali palpable.
A granted to souls who crowd in a chorus of sounds wavering and circulars, designed to propitiate the harmony of the cosmos and with itthe opus of inner stillness.

Aldo Chimenti, Rockerilla luglio/agosto 2010

"Horas Tibi Serenas" It is an archaic mausoleum , distorted by time and made ​​copper, leaden again, apparently withdrawn from the flavor of life, not even here and even now.
It is hard to recognize references from other rooms of the time the sound arrives and this seems no longer be reconciled with the present but veiled forever, nearly in the shade.
Where I take things that come and go? What furrows imprinted on me? "

Gino Fioravanti / Aglaia


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Since the late 80s, Stefano Musso has recorded deep, evocative experimental ambient & electro-acoustic soundscapes under the name Alio Die.
His music is a shadowy, cavernous, intensely detailed fusion of acoustical elements, step-and-repeat sample treatments, sparse, echoing percussion, and deep, atmospheric sound design, textural passages..by the music's vague, entropic formlessness.
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